HOTEL PRO FORMA | TOMORROW, IN A YEAR

HOTEL PRO FORMA | Tomorrow, in a year (video clip from site of show)

The Knife - "Colouring Of Pigeons" (MP3 for stream or download)

The Knife, Mount Sims, and Planning to Rock have created an electro-opera for the Danish Royal Opera in collaboration with Hotel Pro Forma theater company.  From the company site:

DESCRIPTION

The world seen through the eyes of Charles Darwin forms the basis for the performance Tomorrow, in a year. Theatre production company Hotel Pro Forma’s striking visuals blend with pop-duo The Knife’s ground-breaking music to create a new species of electro-opera.

An opera singer, a pop singer and an actor perform The Knife’s music and represent Darwin, time and nature on stage. Six dancers form the raw material of life. Together with the newest technology in light and sound, our image of the world as a place of incredible variation, similarity and unity is re-discovered.

Concept

The opera-genre provides the DNA, the framework of the performance. It calls for large scale, and it forms a space where form and expression dominate. The Swedish music group The Knife creates completely new compositions that challenge the conventional conception of opera music. The musical form is experimental and exploratory, and much of the sound heard was recorded while in the Amazon Jungle and in Iceland.

It is written for three singers of different backgrounds: popular music, classical opera and the performing arts. They are the narrators and the main characters in the performance. The singers tell about Darwin and they observe time and nature as Darwin.

Directed by Ralf Richardt Strøbech and Kirsten Dehlholm, the visual and conceptual universe is formed by Darwin’s thoughts, experiences and letters. The performance is divided into two parts – analogous to the development and publications of The Origin of Species.

The first part of the performance is exploratory. It concentrates on observing the underlying sequences and relationships between image, narrative, movement and music used in the performance. The second part is a synthesis of the material. A completed image and totality emerge, before the performance again mutates and passes into new forms, as happens over time with all things.

The opera presents an image of Darwin that above all reminds us that the world is a place of remarkable similarities and amazing diversity. That over time - tomorrow, in a year, or tomorrow, in a million years - change is inevitable.

Time forms our lives, gives our existence meaning and populates the globe. Generations, eons and millions of years create the new and eradicate existences. Nature selects, invites and dares everything without limitation. 

– Ralf Richardt Strøbech, co-director, Tomorrow, in a year