15 December 2011
07 June 2011
08 April 2011
05 April 2011
MONODRAMAS
'Monodramas' at the New York City Opera directed by Michael Counts, formerly of GAle GAtes, et al.
02 April 2011
07 February 2011
SECRETIONS MAGNIFIQUES
A very exuberant review from the usually staid Katie Puckrick of the foul fragrance endeavor Secretions Magnifique by Etat Libre d'Orange.
06 January 2011
04 October 2010
DESIGN RESEARCH 1969
The great Design Research building by Benjamin Thompson and Associates, 1969, Cambridge, Massachusetts. A beautiful example of Modernist architecture profiled in the Design issue of the NYTimes Style Magazine.
One-Stop Living - NYTimes.com
03 October 2010
RUTH HOGBEN
Ruth Hogben, ASVOFF'09 Jury Prize Winner, Gareth Pugh film
Uploaded by AShadedView. - Independent web videos.
Ruth Hogben, represented by Gainsbury & Whiting, Associates, discussing the emerging genre of fashion film. Frequent collaborator of Gareth Pugh and former film editor for Nick Knight, her aesthetic tends toward hypnotic, repeating visual themes and ideas of the extreme, with sound or music, often of an experimental type, playing a central part in her work.
Another very compelling piece of hers, completely silent:
01 October 2010
MICHAEL CUNNINGHAM AND JAMES FRANCO
An interesting conversation between two writers about their process and school. And John Rechy.
20 September 2010
FOOTAGE FROM CHICAGO GAY PRIDE 1977
Really amazing and touching. Such a different era. They still had Brown's Chicken.
21 July 2010
ALEXANDER MCQUEEN - PLATO'S ATLANTIS
I cannot believe I have not yet posted this on this blog. This is the last show produced while Alexander McQueen was alive and it is truly a cultural pinnacle. There are shapes and themes in this show that seem to access and trigger some primeval and, and at the same time, non-linear absolute knowledges and sensations. It's as if there's a nostalgia happening for something that we have not yet experienced, but also as if we have always known this theme, this feeling, this communication and it just yet hadn't been brought out from the collective unconscious into the collective conscious.
(All this leads me to consider the idea of the "noosphere," a concept elaborated on by French theologian Pierre Teilhard de Chardin, where the planet is seeing sort of a direction towards a unified psychic envelope/atmosphere called the Omega Point. Technology is assisting in a degree which he may or may not have considered, but nonetheless is help transmit ideas, feeling, and thought processes faster and further. This is a complete digression, and probably better suited for another of my blogs.)
01 June 2010
MARINA ABRAMOVIC : THE ARTIST IS PRESENT
The more interesting component to this performance piece that just wrapped up at MoMA NYC has been the portraits captured of every single person that sat in front of Abramovic. SO fascinating. From smiles to tears.
27 May 2010
11 May 2010
19 April 2010
EYJAFJALLAJOEKULL
The most incredible footage of the eruption yet. Watch for the lightning towards the end. SO breathtaking.
08 April 2010
16 March 2010
15 March 2010
07 March 2010
THE MORNING BENDERS - "EXCUSES"
Yours Truly Presents: The Morning Benders "Excuses" from Yours Truly on Vimeo.
A beautiful recording made at San Francisco's Different Fur Studios.
06 March 2010
TAKE AWAY SHOW #89 : REM
While this is definitely not one of my favorite Vincent Moon Takeaway Shows, it's REM so I'm posting it. This video lacks the spontaneity and freedom and public feeling of his other videos that are what makes them special. Whether or not this is due to the level of REM's fame and ability to be in public are factors, their definite seasoned experience and coming of age as music television performing video artists and self-consciousness in front of a camera makes this video different. Stipe is performing, narrating to the camera. This is just another "music video." There are moments though when this falls away, there are mistakes, and realness, which is the point of the takeaway shows. And it's just great to see a great band who has been together for so long doing great work still having great fun.
01 March 2010
MARINA ABRAMOVIC DOCUMENTARY
View Trailer | Marina - A Documentary Film about Marina Abramović
In preparation for her upcoming piece to be performed at the Museum of Modern Art this spring, the performance artist Marina Abramovic takes her performers to the woods for a retreat.
To prepare them for the retrospective at MoMA, last Fall Marina invited the re-performers to a workshop at her home in upstate New York. Participants slept outside and did not eat nor speak for four days. They engaged in a regimen of individual and group exercises, such as walking backwards in slow motion, counting grains of rice, and observing a single object for hours. The goal of these exercises was to enable the re-performers to become aware of their limits and to find their own charismatic space.
To prepare them for the retrospective at MoMA, last Fall Marina invited the re-performers to a workshop at her home in upstate New York. Participants slept outside and did not eat nor speak for four days. They engaged in a regimen of individual and group exercises, such as walking backwards in slow motion, counting grains of rice, and observing a single object for hours. The goal of these exercises was to enable the re-performers to become aware of their limits and to find their own charismatic space.
THE CENTURY OF THE SELF
Adam Curtis' acclaimed series examines the rise of the all-consuming self against the backdrop of the Freud dynasty.
To many in both politics and business, the triumph of the self is the ultimate expression of democracy, where power has finally moved to the people. Certainly the people may feel they are in charge, but are they really? The Century of the Self tells the untold and sometimes controversial story of the growth of the mass-consumer society in Britain and the United States. How was the all-consuming self created, by whom, and in whose interests?
The Freud dynasty is at the heart of this compelling social history. Sigmund Freud, founder of psychoanalysis; Edward Bernays, who invented public relations; Anna Freud, Sigmund's devoted daughter; and present-day PR guru and Sigmund's great grandson, Matthew Freud.
Sigmund Freud's work into the bubbling and murky world of the subconscious changed the world. By introducing a technique to probe the unconscious mind, Freud provided useful tools for understanding the secret desires of the masses. Unwittingly, his work served as the precursor to a world full of political spin doctors, marketing moguls, and society's belief that the pursuit of satisfaction and happiness is man's ultimate goal.
- BBC.co.uk
The Freud dynasty is at the heart of this compelling social history. Sigmund Freud, founder of psychoanalysis; Edward Bernays, who invented public relations; Anna Freud, Sigmund's devoted daughter; and present-day PR guru and Sigmund's great grandson, Matthew Freud.
Sigmund Freud's work into the bubbling and murky world of the subconscious changed the world. By introducing a technique to probe the unconscious mind, Freud provided useful tools for understanding the secret desires of the masses. Unwittingly, his work served as the precursor to a world full of political spin doctors, marketing moguls, and society's belief that the pursuit of satisfaction and happiness is man's ultimate goal.
- BBC.co.uk
23 February 2010
JOANNA NEWSOM NEW ALBUM OUT
If you are one of those people that venture into Joanna Newsom world, you can hear all two hours here:
28 January 2010
HOTEL PRO FORMA | TOMORROW, IN A YEAR
HOTEL PRO FORMA | Tomorrow, in a year (video clip from site of show)
The Knife - "Colouring Of Pigeons" (MP3 for stream or download)The Knife, Mount Sims, and Planning to Rock have created an electro-opera for the Danish Royal Opera in collaboration with Hotel Pro Forma theater company. From the company site:
DESCRIPTION
The world seen through the eyes of Charles Darwin forms the basis for the performance Tomorrow, in a year. Theatre production company Hotel Pro Forma’s striking visuals blend with pop-duo The Knife’s ground-breaking music to create a new species of electro-opera.
An opera singer, a pop singer and an actor perform The Knife’s music and represent Darwin, time and nature on stage. Six dancers form the raw material of life. Together with the newest technology in light and sound, our image of the world as a place of incredible variation, similarity and unity is re-discovered.
Concept
The opera-genre provides the DNA, the framework of the performance. It calls for large scale, and it forms a space where form and expression dominate. The Swedish music group The Knife creates completely new compositions that challenge the conventional conception of opera music. The musical form is experimental and exploratory, and much of the sound heard was recorded while in the Amazon Jungle and in Iceland.
It is written for three singers of different backgrounds: popular music, classical opera and the performing arts. They are the narrators and the main characters in the performance. The singers tell about Darwin and they observe time and nature as Darwin.
Directed by Ralf Richardt Strøbech and Kirsten Dehlholm, the visual and conceptual universe is formed by Darwin’s thoughts, experiences and letters. The performance is divided into two parts – analogous to the development and publications of The Origin of Species.
The first part of the performance is exploratory. It concentrates on observing the underlying sequences and relationships between image, narrative, movement and music used in the performance. The second part is a synthesis of the material. A completed image and totality emerge, before the performance again mutates and passes into new forms, as happens over time with all things.
The opera presents an image of Darwin that above all reminds us that the world is a place of remarkable similarities and amazing diversity. That over time - tomorrow, in a year, or tomorrow, in a million years - change is inevitable.
Time forms our lives, gives our existence meaning and populates the globe. Generations, eons and millions of years create the new and eradicate existences. Nature selects, invites and dares everything without limitation.
– Ralf Richardt Strøbech, co-director, Tomorrow, in a year
21 January 2010
HOLLY MIRANDA WITH MARQUES TOLIVER
A new voice. Presently on tour with Tegan and Sarah. Tried to put together a solo gig for her in SF. No dice.
10 November 2009
31 October 2009
A SINGLE MAN
If his clarity of vision in fashion can carry over into film, we have another fantastic filmmaker whose work we hope to enjoy for years to come. A Single Man, the directorial debut of Tom Ford, looks pretty from this pastiche of a trailer. Let's hope it feels as good as it looks.
21 October 2009
THE BURNHAM PLAN CENTENNIAL CHICAGO
In 1909, Daniel Burnham and Edward Bennett collaborated with the Commercial Club of Chicago and others to create a new plan for the greater Chicago region. The year 2009 will be a time to look back 100 years for inspiration, and appreciate the big dreams that led to Chicago’s sweeping lakefront, the “emerald necklace” of County Forest Preserves, and a tradition of thinking comprehensively about the region’s development, always looking to the future.
22 September 2009
01 September 2009
27 July 2009
25 July 2009
HOW IT WOULD BE IF A BUILDING WAS DREAMING
555 KUBIK | facade projection | from urbanscreen on Vimeo.
An amazing installation projected onto the facade of the Hamburg Kunsthalle. Another, more static image of the building can be viewed here.
21 July 2009
17 July 2009
STEALING MONA LISA
A sensational(ized?) account of a fantastic art heist. Reads like a
film.
film.
http://www.vanityfair.com/style/features/2009/05/mona-lisa-excerpt200905
15 July 2009
30 June 2009
12 October 2008
BLACK IS, BLACK AIN'T

“black is, black ain’t” - artforum.com / in print
A review by Huey Copeland of the show "Black Is, Black Ain't" at the Renaissance Society in Chicago. (Artforum, October 2008)
25 April 2007
EXAMPLES OF SUPERIOR THEATRICAL PRESENTATION
From our German artist friends. Why has this complexity yet to reach American stages?
"The Sea Gull"
Anton Chekov „The Sea Gull“, 2000, Schauspielhaus Hamburg,
Director: Stefan Pucher
Video: Frank Bussacker
Costumes: Tabea Braun
"Replacement"
„Replacement“, 2006, Volksbühne Berlin,
Choreographer and Director: Meg Stuart (Video of the rehearsals
Video: Chris Kondek
Costumes: Tina Klömpken
Music: Hahn Rowe
wmv-File, 6:34 min. | |
|
Anton Chekov „The Sea Gull“, 2000, Schauspielhaus Hamburg,
Director: Stefan Pucher
Video: Frank Bussacker
Costumes: Tabea Braun
wmv-File, 3:50 min. | |
|
„Replacement“, 2006, Volksbühne Berlin,
Choreographer and Director: Meg Stuart (Video of the rehearsals
Video: Chris Kondek
Costumes: Tina Klömpken
Music: Hahn Rowe
GERMAN STAGE DESIGNERS
ANNA VIEBROCK
Anna Viebrock could be considered one of the most impressive contemporary set designers whose monumental scales shift theatrical reality into exaggerated realms of meaning.
14 April 2007
23 March 2007
NORTHWESTERN UNIVERSITY ARCHITECTURE
For a bit of historical Evanstoniana, visit the Northwestern University Library Archives' gallery of campus architecture. It's quite interesting to see pictures of the Old Deering Library actually yards from the natural coastline of Lake Michigan, as well as the various transformations and architectural work over the years.
20 March 2007
14 December 2006
MYSTERIOUS SKIN
Film: Mysterious Skin. very interesting. much better than the book that I couldn't finish - directed by Gregg Araki who is sort of a cult director - he did Doom Generation and Nowhere. It's about these two boys who were sexually abused by their little league coach: one becomes a shit talking hustler and the other has a psychological transference of the events and he thinks he was abducted by UFOs. The subconscious of the UFO boy surfaces at these bizarre moments and he is led to seek out the hustler boy, who tells him all the details he's been blocking for ten years. It's really good and explains a lot about the adult behavior of sexual abuse victims. two thumbs up.
01 December 2006
SHROOMS
www.dhlovelife.com
In addition to her efforts towards legalizing magic mushrooms and marijuana, look at Daryl Hannah's latest project:
The "now playing" mushroom clip is actually pretty amazing about all these medicinal purposes for common mushrooms, but of course we're told that the ones that are most readily available in supermarkets are carcinogenic.
The "week 1" episode about her car that runs on bio-diesel vegetable oil is also amazing. She drinks the fuel out of the pump.
It's all very interesting and I think we should pay attention. And ditsy Madison from "Splash" is the perfect hostess.
In addition to her efforts towards legalizing magic mushrooms and marijuana, look at Daryl Hannah's latest project:
The "now playing" mushroom clip is actually pretty amazing about all these medicinal purposes for common mushrooms, but of course we're told that the ones that are most readily available in supermarkets are carcinogenic.
The "week 1" episode about her car that runs on bio-diesel vegetable oil is also amazing. She drinks the fuel out of the pump.
It's all very interesting and I think we should pay attention. And ditsy Madison from "Splash" is the perfect hostess.
27 November 2006
Glitter and Doom: German Portraits From the 1920s
This art show, showcasing portraits from German painters between the two world wars, is PHENOMENAL. I haven't seen it, but I have seen many of the paintings in Berlin. These are some of my favorite paintings and artists, borne out of a very tumultuous time in German history. These representations of the Berlin demi-monde during the Weimar Republic express the political instability of the time through stilted imagery and the almost grotesque portrayals of characters on the scene and are extremely special. I am particularly compelled by the darkness and ominous nature of the subjects and colors, their density almost anticipating the rise of the National Socialist party and the ensuing political nightmare. If you have a chance to see the show at the Metropolitan in NYC, please go.
It is always fascinating to consider just exactly what social, psychological, or political forces pull the art of an era out of the past, giving it immediacy and relevancy for our present. Why was this show curated? A personal fancy? A political motive? A cultural similarity or total contrast?
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